Unfeasibly early I know, but we’re off on a quick Glasgow culture trip to catch up with the big kids and entertain the small ones.
Now, the two-week Challenge was all well and good, but it took me most of that to source the film. Not forgetting TFE’s warning that it was “very, very sad”.
It arrived on Friday, and like a moth to a flame …
So I watched it, wished perhaps I hadn’t, though it is a very beautiful, acutely observed film. Not terribly safe for me to take off from this one right now, so I stuck with the film for my poem. Which probably has more words in it than the dialogue of the entire 81 minutes of “garage”. You have been warned.
The Hanged ManAt the end of the world there is a garage,
beyond the garage is a skewbald angel heavy horse,
the kind gypsies keep: more valuable, so.
Inside, outside, throughout the garage is a man
indentured, pleasing fool who needs no holy water
to sanctify himself; idiot Parsifal, he is pure in heart.
He touches no one save the skewbald angel heavy horse,
whose two colours divide man’s two states so:
alive, or dead. Yet he walks between, this man,
reaching out for life like the Christ for water
to taste only vinegar on the sponge on the spear in his heart.
He sits down again, waits, alone at the garage.
Everything he sees foretells his death, and so
the skies are vast, the road empty, a man
drowns six disciple puppies in running water
as they cry for their dam; by the lake an old man’s heavy heart
cries for his dog whore. Still no one comes to the garage.
He climbs the gate to meet the waiting skewbald angel heavy horse.
When the devil comes sly he has the shape of a man
who drives a Leyland Daf back from the world across the water,
tempts the idiot, the pleasing idiot who is good at heart,
with old technology and naked women. Death enters the garage
in a VHS format, whilst the skewbald angel heavy horse
dreams of apples and knowledge and of man’s becoming so.
For man has maybe friend, and has broken bread, shared water,
beer and chocolate biscuits with him, made a small room in his heart
for the first person who thinks him sound. Later, at the garage,
in the dark, chooses one colour of the skewbald angel heavy horse
by sharing what men, he thinks, share; in doing so
mistakes the age and is lost to communion; a hanging man.
Judas lips Chinese whisper, guards come, he is taken and the heart
that beats to keep open the garage, the world’s end garage,
stutters, ready to die. The skewbald angel heavy horse
lifts his head, jerks his rope and as he does so
finds a little give. There is no give for the man,
who is wrong, having done no wrong; in a hot room, in hotter water.
After a no sleep night he leaves the garage
to free the skewbald angel heavy horse.
Church bells ring, the Magdalene has bleached her hair, so
she will burn his feet as she falls drunk to wash them. The man
who took shit with a smile all his life is shame. He walks to the water
carefully removes his socks and shoes, and gives up his heart.
The horse? The gypsy horse?
He walks, he stops; he looks to you.